Posts filed under Featured Articles

Celebrating One Year of Dear English Major!

This month marks the first anniversary of Dear English Major! Thank you very much to everyone who has contributed content, shared their experiences in an interview, and followed us online! 

We've added a couple of new features and resources to the site to make it more useful for English majors. See what's new: 


EXPLORE CAREERS

We've also added a new section to the website that focuses on specific professions. They're an ever-evolving work-in-progress!


FORUM

One of the new features we've added to the site is a forum where you can connect with other English majors, ask questions, and offer your own advice and insight. 


Meet the founder of DearEnglishMajor.com:

Alyssa Christensen, the founder of DearEnglishMajor.com, talks about the inspiration behind the website that's dedicated to showing English majors all that is possible with an English degree. Many thanks to Waka Waka Studios for putting together this awesome video! Check out more of their work at http://www.wakawakastudios.com.


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Posted on March 26, 2015 and filed under Articles, Featured Articles.

Why I Switched From a Computer Science Major to an English Major

Pst. Hey, you. Yeah, you—reader. I have something clichéd and important to tell you: follow your Moss Hart and Kurt Vonnegut (you see those puns there?)—make the switch to English.

The Major Less Traveled By

Everyone has dreams and aspirations of what they want to be. During my childhood years, I wanted to be a scientist, but once I hit high school, I wanted to be a psychologist. When I arrived at college, I was set on the psychology degree: I took my first psychology course the first semester of my freshman year in college, and being a psychologist immediately waned after that. After my first semester as a psychology major, I decided to switch to art and graphic design. I went through a semester with that, utterly full of contempt with my decision—art and graphic design is too niche for me, and I was not enjoying it to say the least. 

Having hit an inescapable roadblock, full of stifled self-discovery and creativity, I switched to computer science on the premise of money and job security, and did that for the two years that followed (from the beginning of my sophomore year to the end of my junior year). At the end of my junior year, though, despondency set in: I discovered that I was not going to graduate on time. My computer science advisor did an awful job at preparing me for the road to graduation—I was advising myself, really. Always having had a convivial and ardent relationship with English, I changed my major one final time to, you guessed it, English. After my experiences in college, I realized that I just wanted to walk away with a degree in something that I was passionate in—writing.

The Plight of English Majors

I am certain many of you readers are expecting some sort of heartwarming story of how a relative introduced me to works like Moby-Dick or The Adventures of Huckleberry Finn; however, my story is less melodramatic. Growing up, specifically in my early teen years, I read many “complicated” literary works on my own from writers such as Edgar Allan Poe, Emily Dickinson, William Shakespeare, William Blake, and a few others. It was because of these writers that I started to write short stories and poetry in my early years, with the hopes of being published one day. 

Many of the works I read made me curious about an English degree, but I was always discouraged from pursuing it. Trying to figure myself out, I went on a “soul search” (if you will), aiming to accurately decipher what it is my heart and “soul” really wanted to do. Through my early schooling years, I won many awards on written proficiency, was asked to be a public spokesman for my high school, helped many students with their papers, and excelled exceptionally in all of my English classes; apparently, I was good with English. 

Since I had been writing since my early teen years, it only made sense to major in English, and to stop thinking that money was the key to happiness. Because English at my university is such a short degree, and I had taken some college courses during my high school years, I talked to the Chair of the English Department at my university and he said completing an English degree was feasible in two semesters. With that level of confidence and assurance from the Chair of the English Department, I plunged head first into the pool of words.

The Best Decision I’ve Ever Made (& Why)

In the brief time I have been an English major, I have had the time of my life. I am now at the end of my college years, and believe I made one of the greatest, yet most maudlin choices of my life: being an English major. I say “greatest" choice because it has allowed me to express myself in a way I never thought possible; it has sumptuously opened up so many doors to my mind, and introduced me to some of the greatest writers I have never known. I was always interested in English, but had never delved too deep into it. 

I say "most maudlin" choice because it was difficult switching from computer science, a profession that has (almost) guaranteed eminence, to English, an unpromising exertion. With the inherent creative nature of English though, I never felt incredulous or nervous to open my mouth and offer an opinion or interpretation in class discussions—English, in my opinion, never has a “right” or “wrong” answer, and that contemplation is compelling. 

For example: in a Survey of American Literature course I took, the ability to propose a differing opinion from the professor when it came to interpreting works was always available. In that class, we analyzed works by Allen Ginsberg, William Dean Howells, Langston Hughes, Kate Chopin, Robert Frost, Charlotte Perkins Gilman, Ralph Ellison, Henry James and many, many others (I could go on for days). Because English is an interpretive medium, the professor (and students) willingly disagreed with each other without tantalizing or irascibly mocking each other. For this reason, I took fervent interest in the engaging discourse of English—I liked talking about things interpretively, and being able to have intelligible conversations in a logical way about things that might be illogical. Being interested in all things English (from the writing to the language to the words [etymology] to the literature), I found insouciant reprieve in its open-endedness. 

Sometimes “The Best Decision” is the Hardest

But, as I mentioned before, a somber tone incessantly followed me after I changed my major. 

Had I stuck with the computer science degree, I could have had a plethora of careers lined up for me with little to no effort: front-end or back-end development, systems analytics, software engineering, database management—the list could, quite literally, be endless. Nevertheless, I changed my major because I figured I would be unhappy with many of those job titles, and it would have taken me far too long to get into the field. Unfortunately, the many computer science professors I had did an awful job at teaching, and an innumerable amount of the concepts I learned were not sticking with me due to the way I was being taught. 

“Since I changed my major, I have gotten the perpetual countless stream of questions: “What are you going to do with that degree?” “Do you know that that degree is useless in the coming economy?” “Are you going to teach?” “So, you’re going back to school for another degree, right?” And so on.”

Since I changed my major, I have gotten the perpetual countless stream of questions: “What are you going to do with that degree?” “Do you know that that degree is useless in the coming economy?” “Are you going to teach?” “So, you’re going back to school for another degree, right?” And so on. Discouragement filled my mind to the brim, overflowing, like a darkness surrounding the forest—I could not escape my own thoughts of feeling like a completely and totally paltry man with a degree that might be barren. Despite looking far and wide, I have found many options for my English degree, but none quite quenched my insatiable thirst to feel invigorated. So I began writing for a video game blog and quickly discovered that that is what I want to do—interpret and review entertainment (video games, films, tv, music, etc.).

Albeit melancholia has followed me after I made the choice, I am glad that I made the choice. It is arduous to say that with conviction sometimes—I get trapped in my mind, in the ongoing onslaught of advertisements for degrees that are seen as “worthwhile” and wonder, “Why did I change my major? What did I do? Will I amount to anything? Am I actually going to ‘make it’?” This has prompted a brooding cloud to accompany me, reminding me in persistence that I may have made the wrong choice. Though I think these thoughts, I quickly recollect myself and proudly say, “I am overjoyed with being an English major because I am, in all honestly and actuality, happy with what I am doing and what I’ll be able to do—even though I am not certain I will immediately be able to get into the field I want.” Melancholia has followed me since I made the choice, but true and honest happiness trails closely behind.

To Follow One’s Passion is Self-Liberating

Changing my major on several different occasions had me feeling depressed, but when I finally landed on English, I was able to discover more about myself. In that self-discovery, I have learned to be pleased with my choice of English as a major, and be proud of it and everything I have done thus far. There are many reasons why I am glad to be an English major. 

Here are a few of my personal reasons why:

  • I feel like I have found my true self (or, as true to myself as possible, as I'm still young). What I mean is, in my heart, I should have (perhaps) always been an English major. When I was younger, reading Poe and Shakespeare, I said to myself that I wanted to get into English, and try to publish one day. Even when I was a computer science major, I decided that I wanted to go back to school for an English degree—English has always been inherent for me, and I am no longer lying to myself, picking a degree that I believe will garner me the most income, but bring about the greatest amount of personal sadness.
  • If I never made the choice to be an English major, I would have never read (and enjoyed) some of the classics such as The Great Gatsby, Great Expectations, Sula, 1984, Death of a Salesman, Howl, The Awakening—and so on. Though I did not discover my favorite works of literature this way (Edgar Allan Poe still stands as my favorite poet), I have learned to appreciate different writing styles, which has helped me further develop my own writing voice. Needless to say being an English major has prompted me to read more rigorously and closely in the one semester than I have in my entire life thus far, and I am thoroughly enjoying that. None of the works I have read changed my life per se, but they have given me new perspective on things, and assisted in my understanding of the world around me in times when I was not born (especially The Great Gatsby—man, what a novel).
  • Because of English, I have been able to have comprehensible and coherently unbiased conversations about things in such an intellectual way. This is all thanks to English: the concepts I have studied and learned, the many papers I have written, and the exegesis and colloquial conversations I have had in class. In studying English, I have learned how to more effectively communicate: perhaps the greatest skill I can apply in the “real world.” Through everything I have studied, many concepts have stuck in my mind, and I can quickly call upon them like the force: able to choke, push, or shock any person in a conversation to make my point more valid (...none of that literally, of course). Knowing how to communicate in a way that is transparent and unambiguous is the most important lesson that English ends up teaching, and, because of this fact, I have become a better speaker.

Because of all this, I intend to continue my English education, and go to graduate school (at some point) for a MFA in Creative Writing (or something English related). Even now, I frequently study the craft of writing from furthering my understanding of grammar and syntax to trying to pick up a hobby in literary criticism and theory. Being an English major is more of a positive than a negative: my vernacular changed; grammar more verbose (which could be a bad thing [laughs]); writing more prolific; logic more cohesive—everything about my speech has become more grandiose than it already was, and that is a very invigorating thing. 

Studying the craft of writing is a very enriching: as with any hobby or passion, it opens the mind and frees the soul (just another cliché thing that may, in fact, be true). I love understanding the way punctuation is supposed to work because it helps my communication, a skill that all businesses and companies look for. Because of this, I believe that English is a very employable degree—even if you, or your family and friends, don’t believe so. 

After Graduation

In reality, the next steps for me is to continue writing. At this current moment, I have two personal blogs, and I am an editor of two other blogs (8BitChimp and TheMashUp). Because of my knowledge with blogging and understanding of that atmosphere, I intend to continue that profession—admittedly, I don’t get paid right now, as I am still a full-time student. To be more concrete with my future goals, I want to write for an entertainment website/company known as IGN (formerly Imagine Gaming Network), and work on getting something published. 

Do It!

“There is no greater agony than bearing an untold story inside you.” -Maya Angelou

I understand many people's apprehension of becoming an English major, but I want say that the English degree has a lot to offer. Moral of the story: Do not be afraid to follow your heart and become an English major—it can teach you a lot of things, especially how to effectively and understandably communicate. To all aspiring English majors, those who are curious about English or contemplating about making the switch to English, my advise to you is simple: Do it! Make the switch—it is extremely rewarding. As Maya Angelou once said, “There is no greater agony than bearing an untold story inside you.”


About the Author

Jeremy Winslow is a full-time student in the final semester of his senior year at Notre Dame de Namur University (majoring in English and minoring in Computer Science and Business), and an editor of a few blogs including 8BitChimp and TheMashUp; he is based in the Bay Area, but from Sacramento, CA. Though being a student takes most of his time, he does his best to manage his time with the myriad of potential projects he has going on. Apart from being a fervent wordsmith and pensive writer, he is also an emphatic tech nut—he enjoys technology, and keeps up with the latest trends in the tech world. When he is not studying or slaving over some obnoxiously massive paper, he is usually writing some sort of non-fiction (poetry or prose), biking, playing guitar or video games, reading anything and everything, programming/coding, or watching a film (yes, film—not movie). Aside from 8BitChimp and TheMashUp, you can keep up with Jeremy on Facebook and Twitter.


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Posted on January 27, 2015 and filed under Articles, Featured Articles, English Major Stories.

6 Ways to Write for Yourself When You're Busy Writing for Everyone Else

A little while ago, I wrote a piece about how working in the service industry could help make you a better writer. At the time, I was working in the service industry. Now, though, I’ve transitioned into a job that pays me to write (a weird thing for me, considering it hasn’t really happened before). That being said, I’ve had to learn to how find time to work on my creative pieces while still having the mental energy to sit in front of a computer eight hours a day and work on the projects I’m assigned.

I’ve come up with a few things that have worked for me and, hopefully, will work for you too, if you’re looking to find ways to keep creative writing in your life when you’re being paid to write for others.

1. Schedule, Schedule, Schedule

The biggest thing for me—and something I’ve only come around to in the last year or so, ignoring the fact I’ve been hearing this for years now—is keeping a schedule. Every morning before work I force myself to get up and read or write or work in some capacity on whatever project is currently sitting on top of the pile. Sometimes that is a book review and sometimes it’s a short fiction piece (or in this case, a post for Dear English Major).

I honestly hate getting up earlier than I have to, but I make myself do it and, just like working out, I feel better after. I’m allowed to dump whatever work has been kicking around in my head, clearing space for the workday ahead. It’s almost never easy, but it’s necessary.

  • Discipline, or sometimes a lack thereof – A point to further that is the need to develop discipline (and learn when to forego it). Keeping yourself honest and disciplined in this process will help immensely. Even when I don’t want to, I drag myself to my desk, turn on some music and put the coffee on. I’d much rather still be in bed, but through the discipline I’ve been able to accomplish projects that would’ve otherwise sat dormant for months. There are times, though, that are cause for breaking discipline. Sickness, obviously, is something to pay attention to. If you’re ordered to rest, then rest. It isn’t noble to ignore doctor’s orders in such a way. You’ll only screw yourself over later on because the sickness/pain/whatever will linger. So if you need rest, rest.

2. Set Goals

It’s January, the time when everyone sets goals that are promptly left abandoned on the side of the road like cigarette butts by early February. Being a writer is no different. Setting goals helps with the discipline. If you know you’ve got certain heights to reach, it’s better to know where and how high those heights are. It’s also important to set shorter-term goals (in academia, SMART goals) so that you can keep going on a day-to-day basis.

For me, I shoot for around 500 words a day on days that I write (there are days that I only read, as well, and on those I shoot to read at least 100 pages). Most of the time I’m good with hitting these goals. Sometimes I don’t and I’ve learned not to beat myself up over it. An image I keep in my head constantly is a description that comes out of George Plimpton’s interview with Ernest Hemingway in The Paris Review:

"He keeps track of his daily progress—“so as not to kid myself”—on a large chart made out of the side of a cardboard packing case and set up against the wall under the nose of a mounted gazelle head. The numbers on the chart showing the daily output of words differ from 450, 575, 462, 1250, back to 512, the higher figures on days Hemingway puts in extra work so he won’t feel guilty spending the following day fishing on the Gulf Stream."

If Hemingway is okay not doing the same number every day, so am I. Many writers aren’t, but you need to experiment and see what kind you are before making any rash decisions on self-flagellation for blowing a goal on a given day.

3. Accountability (or if you watch South Park, have an Accountabilibuddy) 

Invoking an episode of South Park may not be the best lead-in to this point, but bear with me. It’s hard for me to get stuff done when I don’t have someone berating me about it. The motivation is not always there to follow-through on a project when it comes to creative work. This is where I find someone to hold me accountable. Another writer works great. He or she can hold you accountable and vice versa for finishing a project in a pre-determined amount of time, et cetera.

If nothing else, this person can function as a sounding board for story ideas. It’s good to have one or two friends who you can trust to not only keep your ass in line, so to speak, but who you can trust to offer honest opinions and constructive criticism on pieces when, more than likely, they shouldn’t yet see the light of day.

4. Read & Read Some More

This one shouldn’t really be a surprise, but you don’t get to be a better writer by only writing. You need to read, too, and probably read more than you write. In this case, taking some time you would use to write and using it to read is also a good thing to do, as you’re continually exposing yourself to new types of literature. In the same vein, read widely. Classics are great, as are contemporary works, as are works written by writers not from the United States as are…you get the point.

You may not like everything you read—let’s be real, you more than likely won’t, and you’ll probably hate a good amount of it—but if you don’t read it, you won’t know what you want to write and what you don’t want to write (and to push that further how and how not to write what you want to write).

Being involved in a literary magazine or something like that helps, too, because you get to read both good and bad writing (again showing how and how not to write). I guess what I’m saying is, read more than you write. When you train for a marathon, you don’t only run long distances every day. You run short, you run long, you do sprints, you do weight training, you change your diet. You do a lot of different things. Writing is no different.

5. Keep a Notebook Handy

There are moments throughout the day that someone will say something and something in your brain will go “I need that. I must have that. I must use that.” For those instances, keep a notebook handy. Or note cards. Something, as long as you can write on it. I use a mix of scraps of paper, note cards, and a steno book. At the end of the day, I’ll take whatever scraps I’ve accumulated (usually two or three per day) and toss them into a shoebox that I keep under my desk at home. The box is the accumulation of a couple months worth of ideas and I go back to it often, looking for something to mine. Stay observant and write things down. If you don’t get to a sustained period of writing in a given day, you can take solace in the fact that you’ve scribbled a few lines down to use later.

6. Embrace the Unknown

I’ve been surprised countless times at the direction my day takes sometimes. Be open to that. If you get so locked into your schedule and discipline, you’re going to miss a lot. This is counterintuitive to much of what I’ve already said, I know, but that’s okay. Like a lot of writing advice, mine ends with the caveat that all my advice is subject to change. If it changes, that’s okay. Follow the change and have that notebook ready.


About the Author

Sam Slaughter is a writer based in Central Florida. He's worked a variety of jobs in his life from grave digger to professional beer brewer, but currently gets paid to be a copywriter for a health and wellness company. He's had fiction and nonfiction published and serves as a Contributing Editor at Entropy and the Book Review Editor at Atticus Review. He was voted the Best of There Will Be Words 2014 and his debut chapbook When You Cross That Line will be published in 2015. He can be found on Twitter @slaughterwrites or on his website: www.samslaughterthewriter.com.


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Posted on January 20, 2015 and filed under Articles, Blogging, Freelance, Featured Articles.

How One Writer’s Instagram Scored Her a Book Deal

Alicia Cook was one of the very first people we interviewed for Dear English Major, and less than one year later, she's got herself a book deal! Entranced—her book of poetry—will be available for purchase on February 17th, 2015 by Underwater Mountains and will be carried by 13 retailers (including Barnes & Noble) in the United States, Canada, United Kingdom, and Australia. 

Alicia was kind enough to take the time to tell us all about her upcoming release, what led to it, and more:

Entranced features four different covers, all designed by Alicia. 

Entranced features four different covers, all designed by Alicia. 

Thank you for taking the time to share your upcoming poetry book with us. Why don't you just start out by telling us a bit about your book Entranced.

Alicia Cook: Thank you for even wanting to hear about it! It's very surreal. If you told me less than two years ago when I started sharing my writing publicly that I would have a book deal today and be a contributing writer with two major online blogs, I wouldn't believe it. It has always been a dream of mine, but I thought it was more of a pipe dream. I have been writing creatively since I was eight years old and I studied English in college, so it's a dream come true.

I recently signed a book deal with Underwater Mountains Publishing, an independent publisher based out of Los Angeles. They are a force of nature. They took on a lot of “Instagram writers" and have really been amazing during this whole process. Entranced is a book of poetry comprised of 100 never-before-seen poems as well as a bunch of my favorite pieces that I have already shared on Instagram.

I named it Entranced because the definition of the word is "fill someone with wonder and delight, holding their entire attention." And I really hope my words hold that power… to captivate someone, to SPEAK to someone. I don't want someone to read my book, and just put it down after without taking at least one special thing away with them. The best part of my day is when a complete stranger messages me and "thanks me" for writing something that they "needed" to read at that very moment to help them through whatever they are going through. That means the world to me.

What inspired you to begin sharing your work on Instagram?

Alicia: In 2012 after Hurricane Sandy, I wrote "An Open Letter to the Shore Kids" that went viral. At the bottom of the article, I just happened to include my email and Instagram name, @thealiciacook. Next thing I knew, I had strangers from all over the country emailing me to share their shore memories and following me on Instagram. The piece had resonated with them. I responded to every single email and comment I received on the piece.

One of the people who emailed me was a hip chick from Oregon (Hi Lindsey!). For some reason, I took to her and she really pushed me, whether she knows it or not, to begin sharing my work more regularly… and the rest is history! This boost in readership and confidence has led to other writing opportunities like contributing to Elite Daily and Thought Catalog, as well as my upcoming book.

How did your book deal come about?

Alicia: Basically, Underwater Mountains started signing deals with some popular Instagram writers. One of those writers suggested they check me out. After I heard from them, I formally submitted my work for their review, and I got a call later that day that they were interested.

What tips do you have for other writers who want to share their work on Instagram or other social media platforms?

Alicia: Social media is a powerful tool. I only have Instagram, so I don't want to speak to sharing work on other social media platforms. But when it comes to sharing creativity, be it writing, drawing, singing, calligraphy—you name it—my advice is just to be yourself, be sincere. Do not just try to replicate what "worked" for other artists out there on social media, because it won't work for you, and no one likes a rip-off. Bring something to this creative community that is different, and you will stand out.

Once you start gaining momentum, try to respond directly and personally to every person who may reach out to you. It becomes time consuming, but that interaction and human connection is my favorite part of all this. Stay true to your own voice while still being supportive of other's work as well. Hashtag appropriately. And for God's sake NEVER, EVER steal someone else's creative property.

What has the pre-publishing process been like?

Alicia: I am actually in the pre-publishing phase still! It's been exciting, but also nerve-wracking. I know that when my deadline comes I will need 100+ poems that I am actually PROUD of and stand behind. And I am a perfectionist at times. Every day I re-write the poems, even if it is just changing a word or two. I am having fun titling them. My publishing company has given me freedom to express myself, which I am grateful for. The editors are top notch. I even drew/painted all four of my book covers myself!

What's the plan once your book is published? What will you do to promote it? Will you go on tour?

Alicia: I won't be going on tour. But through Instagram I plan on letting people who might be in the area know when I am going to go to a store and geek out over seeing my book on a shelf. I have some ideas up my sleeve about how to make this even more fun.

Also, most of the other writers signed to Underwater are supportive of one another. We write together, we share one another's work. So their "readers" will occasionally see my name or work on their pages as well, which is awesome. The publisher is the reason the book is even getting put anywhere, physical or online, so I am grateful for whatever they decide to do to push my book as well. Right now I am on their website and Instagram. We will see what the future holds come February 17th!

Is there anything else you'd like to add?

Alicia: The more I "get to know" other writers on social media, the more I realize that some of the people closest to them—friends, family—do not even know they write! The realization that not everyone has a support system for their passion around them made me take a step back and realize I was taking my family and friend's support of my writing for granted.

My parents never once told me I couldn't achieve my ultimate goal of sharing my words. They bought me my typewriter when I was ten. They supported me when I decided to major in English in college. They never once discouraged me. My mom still prints out all my blog articles and basically forces the neighbors to read them as she stands right next to them. My dad doesn't always "get it" but he gets that other people do. My sister, Kellie, and best friend, Renee, are two of my biggest fans. I could never imagine hiding such a huge part of my being—my existence—from the people I love the most. What I am trying to say here is that the more I travel down this road, the more grateful I am for my family and friends and their unwavering support.



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Posted on January 19, 2015 and filed under Social Media, Publishing, Poetry, Writing, Featured Articles.

A 7-Step Guide to Your Final Semester as an English Major

Winter break is over, and the final countdown is here. By now, you’re probably used to being peppered with questions from just about everyone: “What are you going to do when you graduate?” “What on earth will you do with an English major?” “So you want to be a teacher?”

Depending on your career aspirations, everyone’s post-grad game plan is going to look a little different. But let’s say you’re going to graduate this upcoming spring and head into the job-search trenches to start pounding the pavement. Where do you even start?!

Don’t wait until after you graduate to set things in motion! Hopefully you’ve already started figuring out how you’ll stand out in the job market, but there’s a lot you can do NOW and over your last semester to make a huge difference in your immediate post-grad success, employment prospects and stress levels.

Here are a few key points to guide you through your final semester of college:

1. Create a resume, or put the final touches on an existing one. 

Take stock of what you’ve done over the last four years of college, from extracurriculars and jobs, to scholarships and awards. While you’ll surely revise, edit and tailor your resume to each job you apply for, getting yourself lookin’ good on paper is a great (and manageable) place to start. 

2. Research internships and jobs.

It’s easier said than done, but sometimes you have to jump in head first. What if you don’t even know what kind of a career you’re interested in?

A practical place to get started is searching for positions that are open in the city you'll be living in after graduation. We recommend checking out job search sites like Indeed.comSimplyHired.comLinkedIn, and a job board your college may offer. Start with a general search for what you’re interested in: “writer,” “content manager,” “social media,” “publishing,” etc. Click on some jobs you may not have considered before (or even knew existed) and read their descriptions—some are sure to sound terrible, and some will sound awesome and inspire you to start writing a cover letter.

We also recommend taking some time to explore Dear English Major. Read about the real experiences of your fellow English majors and go out on a limb and reach out to a few of them!

3. Make sure you have compiled a portfolio of your work. 

If the job you’re applying for involves writing, usually employers will want you to submit a few writing samples along with your resume and cover letter. It can be a pain to have to dig around for a new writing sample every time you apply somewhere, so keep a folder on your desktop filled with go-to samples of your best work. Even better, showcase some of it in an online portfolio that you can direct people to when applicable. (Here’s 13 things to keep in mind as you build your professional website and online portfolio.)

4. Spruce up your online presence. 

In addition to possibly creating a professional website that features an online portfolio, you’ll want to make sure that you have an up-to-date LinkedIn profile. Have a fellow English major proofread it, and make sure you have a professional photo uploaded! Don’t have a clear, recent photo of yourself? Then it’s time to get one! First impressions last.

Now is also a good time to clean up anything online that you wouldn’t want a potential employer to see, whether it’s questionable content on Facebook or deleting an old blog.

5. Visit your school’s career center.  

If you’ve never visited your college’s career center, then there is no time like the present! Share what careers interest you, ask for recommendations, and have someone look over your resume and cover letter. See if they can help you reach out to any alumni or other connections in the community. It’s what they’re there for!

6. Reach out to alumni. 

Your school may have a career center or a helpful section of their website that will help you contact alumni who might have job leads, advice, and insight into any given field. You’re probably sick about hearing how you’re supposed to network, network, network, but it’s true! 

Tip: If someone refers you to their employer and you end up getting hired because of it, your connection might be offered a bonus! You could actually help someone make some extra dough, so it may certainly be worth their time to help you if you look like a promising candidate.
 

7. And finally… apply to internships and jobs!

Don’t let designing your website or obsessing over perfecting your resume distract you from your real goal: gainful employment! Select a few job postings that look promising and go for it. Keep track of what you apply to in a spreadsheet, and be sure to take the time to tailor your resume and cover letter to each opportunity. (Check out our free guide on how to tailor your resume!)

It can take weeks and even months to hear back from jobs you apply for, and sometimes you won’t hear back at all. And while sometimes employers need someone on the job ASAP, the interviewing process can also be a long ordeal of phone and in-person interviews. (Wow, that was depressing.) But it will be so worth it once you land the job, and you’ll be thankful that you took the initiative to prepare for your post-grad life ahead of time!

Ready to dive in? From Graduation to Career Ready in 21 Days: A Guide for English Majors shows you exactly how to successfully navigate the job search process in 21 days.


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Posted on January 4, 2015 and filed under Articles, Featured Articles.

7 Cold, Hard Facts About Freelancing

Freelancing is an excellent career option for many writers—it allows you to have more choice, from the type of work you do to your daily schedule. Want to work in your pajamas all day? Want to work on the beach in Hawaii this week? Go for it! However, just like any job, there are pros and cons. It’s important to do your research before you jump in head first!

There’s some cold, hard facts you should know about freelancing if you’re considering taking the leap of quitting your day job:

1. There’s a lot that a full-time employer figures out for you. As a self-employed freelancer, you will have responsibility for these things.

If you have had experience working for a larger company, then at least a couple of the following things were most likely taken care of for you:

  • Your paycheck already had taxes taken out.

  • Signing up for health and dental insurance was pretty easy, and if you had any questions, Human Resources could help you out.

  • Signing up to contribute to a 401(k) or other retirement plan may have been an option for you, and your employer may have even contributed to it.

  • Paid Time Off (PTO) was measured out for you and your boss or HR kept track.

To begin with, as a freelancer, you are in charge of doing all of your own taxes. For many, this will mean paying quarterly taxes, or planning ahead and budgeting enough money to pay taxes at the end of the year (which you’ll also need a business license to do!). When it comes to managing your own finances, this is just the beginning! You will also have to find your own healthcare plan, and plan/invest for retirement on your own. And PTO is a thing of the past! On that note...

2. If you don’t work, you don’t get paid.

In regards to the benefit of having an employer, having PTO means that you get paid even when you’re not at work, whether you’re sick with the flu or on vacation in Hawaii. But of course, things are a little different when you’re completely on your own. If you’re working hourly for a client and not putting in the hours, you’re not getting paid. Your schedule may be flexible, but no one else is there to do the work for you and pick up the slack. 

However, this also allows you to take as much vacation time as you want. Instead of being limited to what your employer offers each year, now you have the flexibility to do as you please. 

3. You will probably spend a lot of time alone.

While there may be opportunities to collaborate with others, the bulk of your time will most likely be spent getting work done on your own. You’ll be in charge of managing your time, calendar, and projects. It’s important that you work well independently, are self-motivated, and are able to find that cherished work/life balance that can be so hard (especially for freelancers) to achieve. Think back to college or any work-from-home days you have had: Was 8+ hours too long to be alone? Were you able to study and be productive?

4. You need to network. Period.

Even if you set up an amazing website that showcases your skills and portfolio and “does the talking for you,” business will most likely not magically appear. You have to network. The word “network” alone is enough to stop some people dead in their job-search tracks, but break it down and it won’t be so scary! Reach out to agencies that are dedicated to connecting creatives with employers, ask friends, family and former co-workers if they know anyone who might be in need of a copywriter/editor/etc., and don’t turn down opportunities to meet new people. For some freelancers, the bulk of their work may come simply from referrals alone. Either way, it's essential to your business to make new contacts and connections.

5. You are constantly going to interviews.

While it’s not necessarily like an interview for a full-time position at a big company, each new client you meet will be like going through the interview process all over again in a way. Some clients will have a lot of questions, some will know exactly what they want, and some might need YOU to tell them what they need. At the very least, you’ll want to be prepared to tell them what you do, how much you do it for, similar work you’ve done in the past, and maybe even why what you do is important.

6. You might not have a stable income. 

Many choose the freelancing life due to the fact that you have the potential to have more control over your income. You can set your own hourly rates, project fees, and the hours you put into your business are indicative of how much money you will make. This also means that when work is slow, you're not getting paid as much. It's important to figure out exactly how much money you need to make each month and ensure you can meet those goals. It will also be important to save up at least a few months worth of living expenses, just in case you don't have enough work or jobs fall through. Planning ahead is essential!

7. You are responsible for everything. No pressure!

The world of freelancing is truly a blessing and a curse! While it affords you with a flexibility that full-time, 9-5 employees can only dream of, it comes at a price. It’s all about making a trade—what are you willing to sacrifice in order to gain more freedom and autonomy? In addition to being a writer (or editor, or whatever it may be), are you ready to also be your own finance, human resources, and marketing departments?

The future of your career is in your hands—go and make the most of it! Read about the careers of other freelancers and self-employed people here on Dear English Major:

Ashley Sapp: Freelance Writer/Editor & Administrative Coordinator

Ashley Sapp: Freelance Writer/Editor & Administrative Coordinator

Emily Ladau: Freelance Writer & Disability Rights Advocate

Emily Ladau: Freelance Writer & Disability Rights Advocate

Summer Fanous: Freelance Writer

Summer Fanous: Freelance Writer

Nicole Wayland: Freelance Copyeditor & Proofreader

Nicole Wayland: Freelance Copyeditor & Proofreader

Kelsey Wiseman: Freelance Editor

Kelsey Wiseman: Freelance Editor

Erik Hanberg: Self-Employed/Writer

Erik Hanberg: Self-Employed/Writer

Melissa Kravitz: Freelance Writer

Melissa Kravitz: Freelance Writer

Jan Couture: Self-Employed Writer

Jan Couture: Self-Employed Writer

Janet Schwind: Self-Employed Writer, Editor & Publishing Consultant

Janet Schwind: Self-Employed Writer, Editor & Publishing Consultant

Andi Satterlund: Self-Employed Writer/Knitting Pattern Designer

Andi Satterlund: Self-Employed Writer/Knitting Pattern Designer

Pamela Patton: Owner, Operator & Chief Wordsmith @ Paragraph Writing Services

Pamela Patton: Owner, Operator & Chief Wordsmith @ Paragraph Writing Services

Katie Plumb: Freelance Writer

Katie Plumb: Freelance Writer

Christine Stoddard: Writer/Filmmaker, Co-owner & Creative Director of Quail Bell Press & Productions

Christine Stoddard: Writer/Filmmaker, Co-owner & Creative Director of Quail Bell Press & Productions

Robert S. Gerleman: Freelance Author & Editor

Robert S. Gerleman: Freelance Author & Editor

Charlotte McGill: Self-Employed Writer & Editor

Charlotte McGill: Self-Employed Writer & Editor

Maggie Smith-Beehler: Poet, Author, Freelance Writer & Editor

Maggie Smith-Beehler: Poet, Author, Freelance Writer & Editor


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Posted on November 12, 2014 and filed under Articles, Freelance, Self-Employed, Featured Articles.

What Does a Freelance Copyeditor and Proofreader Actually Do?

“I am a freelance copyeditor and proofreader.” This is a simple sentence and one I’ve spoken many times; however, I often receive confused looks and/or blank stares in return. I’m not even sure my parents could describe what I do after all this time. And the questions: “What’s a copyeditor?” “Is that like a proofreader?” “So, you basically run a spell check, right?”


Copyeditors Are Not Proofreaders

The duties of a copyeditor are quite extensive and difficult to describe in one neat, simple sentence, so it’s not surprising that many people are unclear on what it means to be a copyeditor. But before we get into the nitty-gritty of it, let’s get one common misconception out of the way: copyeditors are not proofreaders, although many copyeditors are good proofreaders. The Copyeditor’s Handbook (3rd Edition) describes it best:

Copyeditors work on an author’s manuscript and are concerned with imposing mechanical consistency; correcting infelicities of grammar, usage, and diction; and querying internal inconsistencies of fact or tone. Proofreaders, in contrast, are charged with correcting errors introduced during the typesetting, formatting, or file conversion of the final document and with identifying any serious errors that were not caught during copyediting. (2011, 11)

So, copyediting comes first, then proofreading—they are two different and distinct roles.

What Does a Copyeditor Do?

Let’s break down the main responsibilities of a copyeditor based on the previous quote from The Copyeditor’s Handbook (this list is not exhaustive):

  • Imposing mechanical consistency: Correct errors in spelling, capitalization, hyphenation, punctuation (what’s the difference between a hyphen, an en dash, and an em dash?), and make changes to ensure a manuscript conforms to the appropriate editorial style (in academic editing, this would most generally be either Chicago, APA, or MLA style).
  • Correcting infelicities of grammar, usage, and diction: Amend wording that is likely to distract or confuse a reader. A copyeditor will use various editing resources as well as his/her own judgment to make these changes, as the rules for this facet of editing are most often subjective. A good copyeditor will know when to hold back and when to make a change. A helpful question to ask while editing is: “Is this sentence technically correct as the author has written it?” If the answer is “yes,” leave it. Never change a sentence that is technically correct because you would prefer to write it another way.
  • Querying internal inconsistencies of fact or tone: “On Wednesday, October 23, 2014” is an example of a phrase that would need to be flagged for the author and not just simply changed to “Wednesday, October 22, 2014.” When a copyeditor comes across a factual error or inconsistency, it is often best to query the author. It is possible that the author indeed meant Wednesday, October 22 (“Wednesday” was correct), or the author might have meant to write “Thursday” instead of “Wednesday” (making “October 23” correct). Although copyeditors aren’t responsible for the factual accuracy of a manuscript, a good editor will flag any consistencies he/she finds and ask the author to confirm.

What Does a Proofreader Do?

Based on the definition from The Copyeditor’s Handbook, a proofreader checks for errors in the book proof, which is normally in PDF format. A proofreader should be on the lookout for problems such as incorrect change in font style or size, line break errors, inconsistencies in chapter headings, and so on. He/she will also read through the book from start to finish and identify any errors that were not caught during the copyediting stage (because no one is perfect!).

What’s It Like to Be a Freelance Copyeditor and Proofreader?

Being a freelancer has many perks (being your own boss, setting your own work hours, and working in your pajamas if you want to), but it undoubtedly takes a certain personality. Freelancing is synonymous with running a one-person business, which means you’re not only the worker bee but the HR department, the accounting department, and the operations manager, among other roles. My bookshelf is overflowing with editing manuals and business books, and I’m always looking for ways to improve my editing ability and the efficiency of my business.

Getting Started

After moving to a new city and taking an office job I wasn’t a fan of, I started to take a few editing projects in my spare time. (I highly recommend testing the freelance waters while you still have a steady paycheck.) I gave my résumé a makeover, wrote a short (and informal) business plan, and started to network. Having three years of experience at an academic press helped immensely, too. One of the first books I picked up, which was recommended by two of my freelance editor friends, was My So-Called Freelance Life by Michelle Goodman. It’s one of my favorites, and it really helped me gain the confidence and know-how to strike out on my own.

When I left my office job to start freelancing, one of my colleagues gave me a card with a quote by Leonardo da Vinci on it (which I now have in a frame on my desk). It reads: “It had long since come to my attention that people of accomplishment rarely sat back and let things happen to them. They went out and happened to things.” This has been my freelance motto ever since.


Resources

Einsohn, Amy. The Copyeditor’s Handbook: A Guide for Book Publishing and Corporate Communications. 3rd edition. Berkeley: University of California Press, 2011.

Goodman, Michelle. My So-Called Freelance Life: How to Survive and Thrive as a Creative Professional for Hire. Berkeley, CA: Seal Press, 2008.

Photos courtesy of Fairfield Grace Photography


About the Author

Nicole Wayland is a freelance copyeditor/proofreader and blogger based just north of Washington, DC. As the operator of Ford Editing, she edits for several publishers (both academic and trade) as well as businesses and individual authors. Her blog, Healthy Happy Sound, is centered on finding health, wellness, and overall happiness. When she’s not editing or writing, Nicole is likely searching for a new healthy recipe, rock climbing and practicing yoga, or traveling the world with her husband. Apart from her editing website and blog, you can also find her on Twitter, Facebook, and LinkedIn.


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Posted on October 29, 2014 and filed under Articles, Editing, Featured Articles.

How Working in the Service Industry Has Made Me a Better Writer

As a beer brewer, published writer and adjunct professor, Sam Slaughter knows a little something about working in the service industry along with practicing your craft. If you're spending your days pouring pints of beer behind the bar when you'd rather be writing, not to worry—all is not lost. In fact, you might be better off than you can imagine, and Sam Slaughter is here to tell you why. 


I’ve been writing on and off for around fifteen years and I have been serving, waiting tables, bartending or doing something related for around a decade. In the time that those two have overlapped, I’ve learned that, at least for me, having a job that has nothing to do with writing has helped me tremendously when I do finally sit down to write.

I realize that for most of y’all that will be reading this, writing full-time is the end-goal. We want to be able to get up every morning and get to it, typing furiously to produce the next great [insert type of writing here]. In this day and age, though, while it is possible (and there are plenty of examples of it elsewhere on Dear English Major), there’s probably going to be some period of time where you’ll need to write and have some sort of other job to pay those pesky things called bills. If that is the case, my suggestion is to find a job in the service industry—waiting, serving, hosting, bartending, whatever—because those types of jobs can teach you valuable skills that are transferrable to your writing craft.

First and foremost, I think, working in the service industry teaches you to listen.

I don’t mean listen as in taking an order (important, but not really to writing). If you’re a bartender, you’re going to hear stories. When I can, I talk to the patrons. Most of the time it is about beer, but usually after a few, the conversation wanders. They tell me about their days, their families, their jobs, the screwed up things that have happened in the world. As a bartender you are the ultimate confessor. You don’t have the ability to absolve one’s sins (excluding the ability to help them forget for a little while), but you are the one a person can come to to get something off his or her chest. It can get annoying, sure, but it can also provide an enormous amount of insight into a different world.

People want to talk about themselves and talk about what they know (even if they don’t actually know about it) and as a bartender, you are the receptacle of that knowledge. As a creative writer, this is a boon. The stories I’ve heard from patrons over the years have made their way into my stories in little ways. A detail here, a detail there—the pieces that hit home do so because they are steeped in reality. As a journalist or marketer, you conduct anthropology as a server. You learn about people, their wants and wishes, their likes and dislikes. As a writer, you can parlay that information into article pitches, advertisements, you name it.

Photo by Justin Carmody

Complementing the ability to listen is the ability to observe.

The benefits of doing so are many of the same as listening. On a practical level, you need to observe so you don’t spill red sauce on a white-dressed woman or don’t clothesline an errant child or something else that will negatively impact your tip. On a writing level, observation is key. There are many writers that advocate for being a watcher. Among them, David Foster Wallace said a good writer is, by necessity, a lurker, staring at any and everything.

As a server of any sort, not only will you listen to people’s stories, but you will see them played out. For the creative writer, you will see how a family interacts—are the kids hooked to their iPads, is an elderly man holding an elderly woman’s hand?

All of these things are writing gold.

From one little detail like that, an entire story can arise. For non-creative writers, observation can lead to inspiration for pitches. Do you notice a consistent crowd of doctors at this one bar? Are all the kids now playing with X instead of Y? There are ideas in every seat, at every four and two-top, you just need to look at them.

Third, the service industry forces you to use all the muscles you don’t typically use when you write.

Some may write standing up, or for some writing may be a full-body activity (how, I don’t know, but I don’t want to discount it). For most of us, though, we’re slumped (okay, I’m slumped, I have terrible posture) over a keyboard in an only-somewhat comfortable chair for hours staring at an artificially bright screen. Being a server, you’re moving. You’re exercising (if you want more on the benefits of exercising for writing, read Haruki Murakami’s What I Talk About When I Talk About Running) and allowing the rest of your body to work as hard as your mind usually does.

During that period of exertion, too, it allows your mind to run free a bit. I work in a brewery and spend hours lifting fifty-pound bags of grain in a mill and later scooping those same grains out of the mash tun. The motions are the same—lift, drop, lift, drop, scoop, pull, scoop, pull—and during them I can reflect on what I’m writing. I have a chance to write without writing. What will come next? How can I rewrite that scene? It all can happen during the exercise brought on by the service industry.

Finally—and this one is less about writing and more about general humanity—being in the industry teaches you to be a real, kind human being to others.

Ask any waiter and you’ll surely hear anywhere from five to five thousand horror stories about terrible customers. Working as a hookah lounge one summer, I was repeatedly referred to as “Boy” when a table of twenty-somethings deemed me necessary to their plans. Boy. I’ve been harassed by drunks more times than I can count (and, speaking as a white middle class male, I get off lucky. I know I am not harassed anywhere close to as much as, really, anyone who does not resemble the reigning hegemonic forces since forever).

I realize this may not work for some. The sheer fact that the service industry in most cases forces you to be social may not be one’s cup of tea. For me, spending hours with only my mind, I need that kind of interaction. I need strangers to confess to me. I need to haul grain bags and feel the strain in my muscle fibers. I need all that to write better.


About the Author

Sam Slaughter is a writer, beer brewer, and adjunct professor based in DeLand, Florida. He received his BA from Elon University and his MA-English from Stetson University. He has had fiction, book reviews, and nonfiction published in The Atticus Review, Heavy Feather Review, McSweeney's Internet Tendency, Drafthorse, The Southern Literary Review and elsewhere. He can be found behind the bar at Persimmon Hollow Brewing Company, on Twitter @slaughterwrites, or on his website www.samslaughterthewriter.com


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Posted on October 13, 2014 and filed under Articles, Featured Articles, English Major Stories.